2022
Ruotsalainen, Maria
Overwatch esports and the (re)configurations of gender and nationality Väitöskirja
Nykykulttuurin tutkimus, Jyväskylän yliopisto, 2022, ISBN: 978-951-39-9184-5.
Abstract | Links | BibTeX | Avainsanat: competitive gaming, englanninkieliset väitöskirjat, esports, gender, nationalism, nationality, qualitative research
@phdthesis{Ruotsalainen2022,
title = {Overwatch esports and the (re)configurations of gender and nationality},
author = {Maria Ruotsalainen},
url = {http://urn.fi/URN:ISBN:978-951-39-9184-5},
isbn = {978-951-39-9184-5},
year = {2022},
date = {2022-01-01},
school = {Nykykulttuurin tutkimus, Jyväskylän yliopisto},
abstract = {The dissertation comprises five research articles and a compilation portion, focusing on gender and nationality in competitive Overwatch. Overwatch is a team-based first-person shooter that Blizzard Entertainment published in 2014. From the beginning onwards, it has had an active esports scene. In 2018, the game’s publisher took hold of the whole esports scene and organised it in a league format—strikingly similar to how traditional sports leagues in North America are organised—and to a yearly (2016–2019) organised Overwatch World Cup. Against this backdrop, I examine how gender and nationality are portrayed within the production of competitive Overwatch Esports and how they are performed and negotiated within the reception of competitive Overwatch. Drawing from the concept of banal nationalism, I suggest the production choices of Overwatch esports are meant to evoke nationalist sentiments from the viewers and fans, intimately tying in with the ongoing sportification of Overwatch esports and esports in general. The ongoing sportification of Overwatch esports also affects how gender, particularly masculinity, is portrayed and positioned within this particular esports. The influence of traditional sports strengthens the position of hegemonic masculinity, often leading to portrayals of athletic masculinity as the desirable masculinity within the Overwatch esports ecosystem. However, examining the reception of Overwatch esports reveals a richer and more varied picture of how masculinity and gender are negotiated within Overwatch esports. The players, fans, and viewers both affirm and resist the nationalist ethos and the sportified aesthetics and the configurations of the masculinity they suggest, drawing also from alternative ways to frame competitive gaming. Particularly relevant for this is anime aesthetics which are used by fans to frame Overwatch esports. This also affects what kind of desirable masculinity is negotiated amongst fans: The hegemonic masculinity is reconfigured to a form of hybrid masculinity, with elements of athletic masculinity, geek masculinity, and Kawaii masculinity, allowing (white and Asian) men to have more varied gender expression. Unfortunately, this allowance has little to no bearing on the positions of the others and women continue being marginalised in Overwatch esports.},
keywords = {competitive gaming, englanninkieliset väitöskirjat, esports, gender, nationalism, nationality, qualitative research},
pubstate = {published},
tppubtype = {phdthesis}
}
The dissertation comprises five research articles and a compilation portion, focusing on gender and nationality in competitive Overwatch. Overwatch is a team-based first-person shooter that Blizzard Entertainment published in 2014. From the beginning onwards, it has had an active esports scene. In 2018, the game’s publisher took hold of the whole esports scene and organised it in a league format—strikingly similar to how traditional sports leagues in North America are organised—and to a yearly (2016–2019) organised Overwatch World Cup. Against this backdrop, I examine how gender and nationality are portrayed within the production of competitive Overwatch Esports and how they are performed and negotiated within the reception of competitive Overwatch. Drawing from the concept of banal nationalism, I suggest the production choices of Overwatch esports are meant to evoke nationalist sentiments from the viewers and fans, intimately tying in with the ongoing sportification of Overwatch esports and esports in general. The ongoing sportification of Overwatch esports also affects how gender, particularly masculinity, is portrayed and positioned within this particular esports. The influence of traditional sports strengthens the position of hegemonic masculinity, often leading to portrayals of athletic masculinity as the desirable masculinity within the Overwatch esports ecosystem. However, examining the reception of Overwatch esports reveals a richer and more varied picture of how masculinity and gender are negotiated within Overwatch esports. The players, fans, and viewers both affirm and resist the nationalist ethos and the sportified aesthetics and the configurations of the masculinity they suggest, drawing also from alternative ways to frame competitive gaming. Particularly relevant for this is anime aesthetics which are used by fans to frame Overwatch esports. This also affects what kind of desirable masculinity is negotiated amongst fans: The hegemonic masculinity is reconfigured to a form of hybrid masculinity, with elements of athletic masculinity, geek masculinity, and Kawaii masculinity, allowing (white and Asian) men to have more varied gender expression. Unfortunately, this allowance has little to no bearing on the positions of the others and women continue being marginalised in Overwatch esports.
2020
Käsmä, Marjukka
Social difference as action: A nexus analysis of gender and ability in World of Warcraft game culture Väitöskirja
Englantilainen filologia, Oulun yliopisto, 2020, ISBN: 978-952-62-2713-9.
Abstract | Links | BibTeX | Avainsanat: ability, englanninkieliset väitöskirjat, equality, gender, nexus analysis, online gaming
@phdthesis{Käsmä2020,
title = {Social difference as action: A nexus analysis of gender and ability in World of Warcraft game culture},
author = {Marjukka Käsmä},
url = {https://urn.fi/URN:ISBN:9789526227139},
isbn = {978-952-62-2713-9},
year = {2020},
date = {2020-01-01},
school = {Englantilainen filologia, Oulun yliopisto},
abstract = {Online human action takes on forms which are characteristic of each platform and community. At the same time, societal phenomena are present in technologically mediated interaction. This dissertation explores how this kind of complex activity emerges, and how it affects opportunities for equal participation of minorities. This dissertation explores these issues in a massively multiplayer online role-playing game, World of Warcraft (Blizzard Entertainment, 2004). The study considers discriminatory practices discernible in World of Warcraft game culture by describing the discursive network of gender, social ability and the demands of the game. Players on occasion reference this network to justify valuing aspects of gender and ability in the game world. In doing so, they aim to preserve the game culture in accordance to their values as the game environment changes.
The dissertation also analyzes how the game environment affords the emergence of a separate subculture for players who do not feel a sense of belonging in the mainstream game culture due to its particular social character. They establish safe practices for themselves and control others’ participation in their communities.
Player practices are approached following the principles of nexus analysis. The research materials generated consist of the game environment, game culture artefacts and accounts of player experiences of interaction. Through this process an understanding was formed of the actions with which players strengthen or subvert the social order of the game world. At the same time, the multifaceted role of the game environment in these actions was described. Analyzing World of Warcraft game culture provides an example of how the accessibility of online spaces for minorities can be studied. The results can also be applied in the creation of accessible games and gamified applications.},
keywords = {ability, englanninkieliset väitöskirjat, equality, gender, nexus analysis, online gaming},
pubstate = {published},
tppubtype = {phdthesis}
}
Online human action takes on forms which are characteristic of each platform and community. At the same time, societal phenomena are present in technologically mediated interaction. This dissertation explores how this kind of complex activity emerges, and how it affects opportunities for equal participation of minorities. This dissertation explores these issues in a massively multiplayer online role-playing game, World of Warcraft (Blizzard Entertainment, 2004). The study considers discriminatory practices discernible in World of Warcraft game culture by describing the discursive network of gender, social ability and the demands of the game. Players on occasion reference this network to justify valuing aspects of gender and ability in the game world. In doing so, they aim to preserve the game culture in accordance to their values as the game environment changes.
The dissertation also analyzes how the game environment affords the emergence of a separate subculture for players who do not feel a sense of belonging in the mainstream game culture due to its particular social character. They establish safe practices for themselves and control others’ participation in their communities.
Player practices are approached following the principles of nexus analysis. The research materials generated consist of the game environment, game culture artefacts and accounts of player experiences of interaction. Through this process an understanding was formed of the actions with which players strengthen or subvert the social order of the game world. At the same time, the multifaceted role of the game environment in these actions was described. Analyzing World of Warcraft game culture provides an example of how the accessibility of online spaces for minorities can be studied. The results can also be applied in the creation of accessible games and gamified applications.
The dissertation also analyzes how the game environment affords the emergence of a separate subculture for players who do not feel a sense of belonging in the mainstream game culture due to its particular social character. They establish safe practices for themselves and control others’ participation in their communities.
Player practices are approached following the principles of nexus analysis. The research materials generated consist of the game environment, game culture artefacts and accounts of player experiences of interaction. Through this process an understanding was formed of the actions with which players strengthen or subvert the social order of the game world. At the same time, the multifaceted role of the game environment in these actions was described. Analyzing World of Warcraft game culture provides an example of how the accessibility of online spaces for minorities can be studied. The results can also be applied in the creation of accessible games and gamified applications.